Primal Scream’s ‘Screamadelica’ album came along at just the right time for me. It exploded across the 90s horizon in a kaleidoscopic blast of dub, techno, rock and roll, and general saucer-eyed creativity just as I stepped out of my rather bland schooldays and into far more colourful worlds.
Then, a couple of years later, its follow up, ‘Give Out, But Don’t Give Up’ appeared. It was generally felt to be a bit of a limp, directionless let down. I did my best to love it, but even I had to admit that it was nowhere near as trailblazingly brilliant as its predecessor.
And now the Primals have released the original GOBDGU sessions. They’re what the album should have been, before the record company suits (man) stuck their collective oar in. They’re utterly and unreservedly fantastic, and they’ve got some very important things to teach us about creativity.
It’s not what you expect
The whole point of creativity is that something new happens – and that new thing is not always going to be what you expect. So, if you ask someone to go off and be creative, and they come back with something that’s just plain baffling, sit down and think about what it’s really achieving.
That’s what Creation Records boss Alan McGee didn’t do. He asked the Primals to come up with a follow-up to a ravetastic dance music classic, expecting more of the same. But they shot off at a tangent (and to Memphis) to record a soulful rock album that’s more like early 70s Rolling Stones than anything else.
It’s a great achievement, coming together as a timelessly cohesive, powerfully emotional and slinkily groovy suite of songs. But because it’s not what McGee was expecting, he couldn’t see its good qualities. So he insisted on having everything remixed and re-recorded into muddy, bland oblivion.
So that’s lesson one. If you’re managing or part of a creative process, don’t measure its results against your original expectations. They might blind you to your real achievements.
It’s not always a lightning strike
There are times when creativity transforms the whole landscape. It’s a lightning strike – a sudden, overwhelming blast of change, appearing out of nowhere and dominating everything. That’s what ‘Screamadelica’ was – a surprising, brilliant achievement and a transformative step forwards.
But there’s only so much transformation that the world can handle – and, to be honest, only so much radical change that people can constructively create. So, when it came to a follow up, the Primals’ first instinct was to look backwards.
They understood that radical transformation needs to be balanced with consolidation and reflection. So, they made a very traditional album that drew on their deep musical roots, looking to understand and reassert their core selves and values in the aftermath of so much innovation.
So there’s lesson two. There’s such a thing as too much change. Pushing for it can exhaust both you and your audience. True creativity knows when to balance transformation with consolidation.
You won’t always get it straight away
The Primals went along with McGee’s rebuilding of the album because they weren’t very confident in what they’d created. They didn’t understand their own achievement – in fact, it’s only now that they’ve been able to properly assess and come to terms with it.
That’s actually quite common. There’s a big difference between creating something new, and understanding exactly what it is you’ve created. Being the person who’s planted and nurtured all the trees can make it pretty much impossible to see the shape of the forest.
And that’s lesson three. Don’t judge what you’ve done too quickly. Watch other people engage with it and see what they get out of it. Understand it by distancing yourself from it.
And now let’s rock
Of course, all this is very important. But the real point of any creative achievement is the achievement itself. So now let’s just sit back and groove to a little timeless Memphis magic from the 90s. Enjoy!
And as a final footnote, here’s the BBC documentary about it all: