So there’s a lot you can learn about how important good brand writing is from 1993’s failed ‘Super Mario Bros’ movie.
OK, bear with me here.
Dennis Hopper nails it
The reason I’m bringing up one of cinema’s more epic turkeys is this article about its troubled production. The shoot looks tough to live through, but it’s great to read about. In particular, it’s hard to beat Dennis Hopper’s epic two and three quarter hour rant about:
- the poverty of the script
- the inexperience of the directors
- the iniquities of Hollywood in general
I wouldn’t pay to watch the movie, but I’d love to see that rant. Especially because Hopper was surrounded by 300 baffled extras (except when he broke for lunch, still ranting) and dressed as a humanoid dinosaur.
And also, he nailed the big problem that sunk the movie.
Of course, lots of inexperienced directors have made great movies despite the difficulties of Hollywood. And making a ‘Super Mario Bros’ movie wasn’t actually such a crazy idea. Films like ‘Wreck-It Ralph’ and the various Lego movies have spun cinematic gold from very similar material.
The problem was the script
The script’s first version was by ‘Rain Man’ writer Barry Morrow. But something about his road-tripping mismatched brothers story was a little… over-familiar. After another false start, producer Roland Joffé brought in the Max Headroom team. Their cyberpunk dystopia wasn’t quite right either.
British comedy legends Dick Clement and Ian La Frenais (who’d written everything from ‘Porridge’ to ‘The Commitments’) then worked on it. The directors loved this draft, but the film’s financial backers didn’t. So, just before the shoot, they had the co-writer of ‘Bill and Ted’s Excellent Adventure’ produce a final version.
Apparently, it wasn’t bad.
Unfortunately, nobody told the directors about this final version. It came as a huge shock on the first day of filming – they almost walked out. Perhaps they should have done, because the shoot was a disaster and the film was one of the 90s’ biggest flops.
And all of those problems began with the script.
No clear vision
After all those rewrites, it didn’t express a single clear, powerful vision for the film. And without that, all those incredible talents – Bob Hoskins, Dennis Hopper, some of the world’s finest special effects people, the producer who’d just made ‘The Killing Fields’ and ‘Chariots of Fire’ and so many others – had nothing to bring them together.
So everything fell apart.
In both film-making and business, words are where a clear, powerful vision comes together in a way that everyone can understand, buy into, and act purposefully and creatively on.
If you can agree on the words that describe what you’re all going to achieve together, and if you can make that story clear, compelling and easy to understand, then you’re off to the best possible start.
And if you can’t – well, just go and watch ‘Super Mario Bros’.